January 26, 2010
Need a second semester fresh start? Here are some ideas that’ll renew your energy and vitalize your choir
By Julie Whalen, R & S Chair for Junior High/Middle School Choirs
I recen tly had a fantastic experience working with a wonderful junior high boys choir in Spanaway. The boys were singing strong, they were focused, and they were enjoying themselves. I was pleased to see they liked their songs, and at the same time they were ready and willing to try new ideas.
I can’t speak for all of you, but I certainly feel like the middle of the year brings with it the challenge to change things up and get a fresh start with the second semester.
Early in my teaching I tended to over think everything, when it turns out all the “fresh start” ideas are already right at my fingertips. In fact this recent experience working with the boys’ choir was a super reminder of ideas and techniques that will renew your choirs’ energy and spirit as they head toward the second half of the year.
- Posture/breathing - it never hurts to re-address how posture affects tone and focus. Start class with two minutes of tall stretching and focused breathing exercises. Try to do this before “business” talk. This helps remind them that this is a performance class and posture counts all the time!
- Vowels & Diphthongs – sometimes it’s good to just sit (with music) and review vowel formation and word pronunciation throughout a song. Of course, it is important to consider song genre and style when deciding vowel formation, but even more so, a choir that sings the same vowels sings in tune!
- Dynamics – is it really possible to overdo these? I don’t think so. However, I have found the “physical” reality to the best-performed dynamics occur by adding hand motion and/or body movement that reflects dynamic contrast (do this during rehearsal). For example, hold hands in a small, round shape for piano or far apart (arms wide) for a forte.
- Physical and emotional connection to the song makes better singers – if energy is dying, have the choir step in place, or tip toe, or even gently run to the beat. If a phrase needs to stretch and “spin,” singers can “draw imaginary rainbows” in the air, preferably over their heads, to heighten posture at the same time.
- Change up repetition – alter the tempo or make a drastic dynamic change to phrases that repeat over and over. Or turn some tutti repetition into a solo or small group of voices.
- Try singing the entire song on “pa” without extending the long notes - this technique is not only fun or the singers, it absolutely requires that the students know their rhythms and makes them accountable for entrances and cutoffs!
- Be sure the students are singing for each other – hold them accountable to stand up and sing their part! (For younger students allow groups of two or three voices.) They are in choir, and it should be a natural, common occurrence to sing for each other. The results are amazing! And while some are scared to begin with, by their third or fourth time they show improvement and gain incredible amounts of confidence. I have tested this, time and time again, and I know it to be true and rewarding for all.
YET MORE IDEAS….
I am always reminded that as choirs fine-tune the smaller details it’s necessary to physically connect with the song. Music is a puzzle, and no piece can go missing or the picture is not complete. Therefore, students need to be reminded the small details create the bigger picture and complete (performance) story.
Start your rehearsal by adding physical motion with arms and body into warm ups and then song rehearsal. By doing this you will also find that diction gets better as energy increases and new excitement is found.
The midway point of the year is an excellent time to change the standing order, or even allow students to sing for each other to determine whose voices match best when singing. Ask for student volunteers to conduct the choir, or run warm ups. This gives the students a voice (totally meant that pun) to be involved, and feel the team leadership. At this point in the year, students who were previously shy and scared may now be ready to step up and take a risk.
Lastly, since choir is a group effort, be sure students are connecting as a team. Take two to five minutes to talk with them about what they are feeling as they sing. Remind them the importance of paying attention to and understanding lyric, text, and emotion. Since emotional context can be difficult for younger students to put into words, talk about what colors they would paint the song. Ask them to sing their color pallet or even try having them “sing certain colors”… if you haven’t tried this – it works. A song sung deep red sounds very different from a song sung pale yellow.
Paint lots of colors! I never could choose just one, so my white boards were filled with a rainbow of colors!
I sincerely hope you enjoy your second semester. |
WA-ACDA welcomes Julie Whalen as new R&S Chair for Junior High/Middle School Choirs
Activities and music ideas for the start of school
by Julie Whalen, R&S Chair for Junior High/Middle School Choirs
August, 2009
Hello! I am Julie Whalen and I have accepted the position as the JH/MS R&S Chair. I am looking forward to joining the WA-ACDA Board and being a more active member in the choral activities for our state.
I have always enjoyed researching choral music, and I love finding that one song that the singers beg to sing all year long. Whether it is research via the internet, listening to publisher discs that come through the mail, attending concerts of colleagues and professional groups, or talking with co-workers, I’m always taking notes and keeping lists of repertoire for the future.
I’ve taught junior high choirs in Puyallup for eleven years, as well as drama classes and a musical theater class. Choral music and teaching are absolutely passions of mine, as are being a mom and wife to my two boys and husband.
It never occurred to me that I would do anything other than teach until retirement rolled around, but much to my surprise, I was recently offered the opportunity to stay at home for a few years. While it took some time for the idea to settle, the option to take a leave of absence allowing me to stick closer to home and family, making me available to be a “mom” and teacher to my own children, was a opportunity I could not turn down.
However, I knew I would need to keep my hands (and toes) in the music world, so when the opportunity to arose to apply for the MS/JR Music R&S chair I knew it was the perfect way to keep active in the music community.
In addition to serving on the board as a music chair, I will also be the WA-ACDA Board Secretary, and I will be singing in local Tacoma choir, Choral Union, directed by Dr. Richard Nance. I am also excited to share that I’ve received my first invitation to serve as the clinician for the Kenai-Peninsula Middle School Choral Festival in Homer, Alaska April 2010.
I must admit, it’s very odd not preparing for the new school year just as I’ve done for the past 11 years. That being said, the choral director in me can’t let go of searching for new and exciting music or ideas for starting up the year. Here are a few ideas and songs for starting the year or for using throughout the year.
- Beginning the first day of school test your choirs’ relative pitch skills. Before the class is given pitches from the piano, ask them to sing middle C (as “DO” if you use Solfege or suggest a non-sense syllable). Once you establish with your singers that they can find middle C without any help, as they learn to read music they realize they can find nearly any pitch they need. Typically, they will be train their ear to sing request pitches within a ¼ to ½ step, and then intervals become a cinch! If you haven’t tried this before, I think you’ll be impressed how close they get most days or the number of times they sing middle C right on the money. Keep this idea going all year and change the ‘pitch of the day’ as they understand what they are doing!
- Be sure your choir members know each other! We all know that performing at our best is not just about learning the music, it’s also about heart and soul and personal connection to the team. Starting out the year I make sure the choirs play “mixer games and name games” with each other. (Below is great first week mixer idea. I have added my own twist, but the idea came from the website Education World and the website is cited below the exercise.)
The Four Corners of Me*
Provide paper or have students pull out their own. Ask them to write their first and last name in the middle of the paper. Then ask them to write the following information in the four corners:
- In the top left corner, one word that describes something positive about the student's personality.
- In the top right corner, one word that tells about a memorable moment.
- In the bottom left corner, the name of a favorite place. This could be a geographical location, a room, a place the student has been, or a place the student knows about and would like to visit.
- In the bottom right corner, a favorite food.
Next, once the writing is done, tell all the students to crush the paper into a “snowball”, stand up, and on a given count, tell them to toss them away to the center of the room.
Finally, once this is done, everyone must go and claim another student’s snowball, find that person, and question them to learn more about the words they wrote in the corners of the paper.
Extension: ask each person to introduce their new friend and share what they learned about the person.
Opportunity: If acceptable and allowable by participants, take photos of the event (especially the “snow storm” when they throw the papers) and post them on your website or print and hang in the room.
*(This activity was found on the Education World website. http://www.education-world.com/a_lesson/archives/fillers.shtml)
- Finally, here are few songs that work great for fall, Veterans, or December performances. (Some are new(er) and some have been around, but they offer tremendous pay back and singers delight!)
-As Fair As Morn by Russell Robinson – voiced 3 part mixed, a cappella madrigal
-Of Thee I Sing, America by Albrect/Althouse – voiced (easy) SATB
-On Justice, On Truth, On Peace by Amy F. Bernon – voiced SAB or SATB
-Alleluia by Amy F. Bernon – voiced SATB, a cappella with instrument accompaniment
-Sinner Man by David Eddleman – voiced SATB or SAB
-Tatkovina by Greg Jasperse – voiced SA
-She Sings by Amy F. Bernon- voiced SSA (with gorgeous piano accompaniment)
-A La Nanita Nana by Dan Davison – voiced TB with violin accompaniment
-Viva Tutti edited by Ralph Hunter TTB, a cappella Italian
Julie Whalen - whalenjr2000@yahoo.com |